Tom Tully was an actor of great depth, who exuded grace even in his most snide, sinister, and crusty roles, and yet who could display such unassuming warmth that one could hardly imagine him ever being snide, sinister, or crusty. Today we join several other blogs in the 9 th “What a Character!” Blogathon celebrating favorite character actors of classic films, sponsored by the blogs Paula’s Cinema Club , Once Upon a Screen , and Outspoken & Freckled . We covered some of Tully’s work in previous posts, including his genial, kindly, and somewhat befuddled uncle of Ginger Rogers, who visits him at Christmas here in I’ll Be Seeing You (1944). He had only been in Hollywood a couple years and it was something like his seventh movie. Mr. Tully already had worked over a decade in radio and on stage, but seems to have made an effortless transfer to screen, where he exhibits a natural, if not actually a shrewd and canny ability to navigate the intimacy of playing to a ...
Hollywood Fights Fascism ...Coming later this month. Past is prologue. Our greatest gift from the Greatest Generation was freedom from fascism...until now. Trumpism is Hitler 2.0. Relive, and celebrate, how evil was faced, discussed, dramatized...and fought. Classic films were the weapon. Collected essays from the blog, special thanks to Casey Koester for the striking cover art.
The Search (1948) is tenderly filmed. The plot of the story carries the weight of the world and the eternal suffering of children during war, but lifts our hearts, though they may be breaking, as if on wings of angels. Those angels are UNRRA (United Nations Relief and Rehabilitation) workers, and a young GI, and even us, if we have taken this movie to heart and take something away from it. This is the fourth post in our series on how Hollywood depicted children during World War II. This time, we leave the well-fed American kids behind, and step back to Europe in the aftermath of war. It is said that the first casualty of war is truth. The final byproduct is refugees. We encounter a small boy, one of the millions of refugees after World War II who have been released from concentration camps. He is brought with nameless others to an UNRRA central tracing bureau to be processed and, if possible, reunited with relatives searching for them. ...
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